Notating Traditional Drumming in ‘Makyung’

Abstract

Makyung is a Malay dance theatre that developed in the state of Kelantan in Malaysia. An oral tradition handed down from teacher to student ('disciple'), the music of Makyung is traditionally not notated and usually learned 'by ear'. This teaching-learning approach can be time-consuming and less effective for the modern classroom, where students are expected to learn and perform many different styles and genres of music in a relatively short period. Currently, there is also an absence of a technique book on the teaching and learning Pergendangan Kelantan (Kelantanese Drumming) in Makyung. This study explores how to notate Pergendangan Kelantan in Makyung based on the drumming technique of two instruments: Gendang Ibu and Gendang Anak with Tetawak. This study aims to notate Pergendangan Kelantan using western notation. This notation will likewise fill in as a significant aspect of the endeavour to document Pergendangan Kelantan in Makyung. Without documentation, the knowledge will perish when the teacher passes away. One standard piece from the repertoire is selected in this study. The piece is determined based on its simple form and rhythmic pattern. The Western notation will be the method to notate each sound produced by the Gendang Ibu, Gendang Anak, and Tetawak. There will also be a few compositions of short exercises that can be used as a warm-up or practice guide.