Knowledge of Natural Materials in Craft Arts in Suriname for Learning Indonesian Carving and Weaving Arts in the Javanese Diaspora Community
DOI:
https://doi.org/10.21834/e-bpj.v9iSI23.6142Keywords:
Suriname, Craft Arts, Javanese DiasporaAbstract
As part of a country in the South American region, Suriname has approximately 15% of the population of Javanese ethnicity; they come from communities that experienced part of the migration process during the Dutch colonial period. They are still trying to find a cultural identity from Java in Indonesia, including making traditional art. However, the materials used to make conventional works of art are quite different from those in Indonesia. Transferring material knowledge and skills used to create traditional works of art is very important for ethnic Javanese people.
References
Bruner, J. (1990). Acts of meaning: Four lectures on mind and culture (Vol. 3). Harvard University Press.
Clark, E. H. (2020). Iron Gongs and Singing Birds: Paths of Migration and Acoustic Assemblages of Alterity in the Former Dutch Colonial Empire. Columbia University.
Eskak, E., Retnawati, N., Ambarwati, D. R. S., Effendi, A., & Azizah, S. A. N. (2022). Pandanus Wickerwork: Creative Industry Based on Local Wisdom for National and Global Markets. In Proceedings of the National Seminar on Craft and Batik Industry (Vol. 4, No. 1, pp. 04-1).
Geertz, C., & Supomo, S. (1976). Agricultural involution: the process of ecological change in Indonesia. (No Title).
Hoefte, R., & Mingoen, H. (2022). Where is home? Changing conceptions of the homeland in the Surinamese-Javanese diaspora. Wacana, Journal of the Humanities of Indonesia, 23(3), 2. DOI: https://doi.org/10.17510/wacana.v23i3.1001
Gunawan, I. (2013). Qualitative research methods. Jakarta: Bumi Aksara, 143.
Javanese Gamelan. (2014. January 5) accessed on August 25, 2021 from scientific articles : https://jawaforstudent.wordpress.com/2014/01/05/gamelan-jawa/
Ismael, Y. (1955). "Indonesia" on the shores of the Atlantic ocean: an examination of the economic and social position of the Indonesian people in Suriname. College Library, Ministry. PP and K..
Melissen, J. (2011). Public diplomacy and soft power in East Asia. Springer.
Meel, P. (2011). Continuity through diversity: The Surinamese Javanese diaspora and the homeland anchorage. Wadabagei, 13(3), 95-134.
Murwanti, A. (2017, October). Practice-led Research Approach as a Fundamental Effort to Address the Imbalance between Fine Art Creation Practices and Academic Publications in Indonesia. In National Seminar of Art and Design 2017 (pp. 16-23). State University of Surabaya.
Nye Jr, J. S. (2008). Public diplomacy and soft power. The annals of the American academy of political and social science, 616(1), 94-109. Subadi, T. (2006). Qualitative research methods. DOI: https://doi.org/10.1177/0002716207311699
Surya, A., & Mutmaniah, S. (2015). Kerajinan anyam sebagai pelestarian kearifan lokal. Jurnal Dimensi Seni Rupa Dan Desain, 12(1), 1-10. DOI: https://doi.org/10.25105/dim.v12i1.65
Saidah, R. (2017, December). Krisis Regenerasi Pengukir Muda dan Eksistensi Kearifan Budaya Ukir Jepara (Studi Kasus di Desa Mulyoharjo, Kabupaten Jepara). In Forum Ilmu Sosial (Vol. 44, No. 2, pp. 107-115).
Setiawan, A., & Sulaiman, A. M. (2017). Development of Carving Motif Design to Actualize Jepara's Identity as a Carving City. Andharupa, 3(1), 31-48. DOI: https://doi.org/10.33633/andharupa.v3i01.1282
Surinamese-Javanese Gamelan Tradition. (2019. May) accessed on August 25, 2021 from scientific articles : https://www.immaterieelerfgoed.nl/nl/page/4952/surinaams-javaanse-gamelan
van Andel, T. (2017). Ethnobotany. Wageningen University.
Wardany, O. P. (2016). UNCOVERING REALITY WITH ART PROJECT AS A METHOD OF CREATION IN MEA. INVENTION, 1(1), 109-127. DOI: https://doi.org/10.24821/invensi.v1i1.1607
Wahyudi, T. (2020). Seniman Mengajar Sebagai Metode Program Pendampingan Psikobudaya Masyarakat. Artchive: Indonesia Journal Of Visual Art And Design, 1(1), 59-71. DOI: https://doi.org/10.53666/artchive.v1i1.1563
Wahyudi, T. (2021). Residensi Seni Rupa Dan Bahasa Indonesia Di Suriname. Jurnal Pengabdian Masyarakat Abdimas, 7(4), 303-307.
Wahyudi, T. (2021). Hibriditas Kebudayaan Jawa Suriname Pada Alat Musik Gamelan. Gestalt, 3(2), 115-124. DOI: https://doi.org/10.33005/gestalt.v3i2.103
Wahyudi, T., & Anggraeni, P. (2022, December). Gastronomi Pada Identitas Masyarakat Diaspora Jawa di Suriname. In Prosiding Seminar Nasional Desain Sosial (SNDS) (Vol. 4, pp. 299-305).
Yani, Y. M., & Lusiana, E. (2018). Soft Power and Soft Diplomacy. Tapis Journal: A Journal of Islamic Political Aspirations, 14(2), 48-65. DOI: https://doi.org/10.24042/tps.v14i2.3165
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Tri Wahyudi, anggar Budi Prasetya, Dipo Krishyudi Ono

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.