Factors which Influenced the Style of Malaysian Printmaking: 1930-2000
DOI:
https://doi.org/10.21834/ebpj.v7iSI9.3939Keywords:
Style, PrintmakingAbstract
Printmaking can be classified as relief, intaglio, planographic, and digital print. Malaysian printmaking has been developing since the Colonial Era. The objectives of this research are to trace and identify the factors that influence the development of style in Malaysian printmaking. This research will use qualitative methods with an art historical approach based on the primary and secondary data. The works of printmaking are divided into two main categories, the Pre-Independence Era and Post-Independence Era. This study used theories by Shapiro, Panofsky, and Feldman to investigate the findings and possibilities that can identify the factors that have influenced the style.
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Jacob I. Biegeleisen and Max A. Cohn. (1942). Silk Screen Stencilling as a Fine Art. New York: McGraw-Hill Book Company. DOI: https://doi.org/10.1080/00119253.1942.10741999
Panofsky, E. (1955). Meaning in the Visual Arts. Chicago: The University of Chicago Press
Redza Piyadasa. (2002). Masterpieces from the National Art Gallery of Malaysia. Kuala Lumpur: National Art Gallery. www.aect.org.
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