An Exploration of Kabo’s Private Art Collection in the Public Sphere

Abstract

This paper observes the evolution of a private art collection in the public sphere. In recent decades, the role of private collectors in shaping contemporary art discourse has expanded significantly, particularly through active engagement in commissioning, curating, and lending practices. As a starting point of this research, I will discuss Australian collector Konfir Kabo and his collection as a study of an activated art collection. Kabo's collecting practices have evolved into an active collaboration with artists, curators, and institutions, supporting emerging and mid-career talents.