Concept of Visual Simplification of Characters: Wayang Pandawa Gagrak Yogyakarta in the perspective of Gestalt Theory

Jalung Wirangga Jakti; Raudhul Rizky; Gagas Nir Galing; Hanifiana Kartikasari

doi:10.21834/e-bpj.v10iSI39.7680

Authors

Jalung Wirangga Jakti Media Design Program, Institut Seni Indonesia Yogyakarta, Bantul, Indonesia
Raudhul Rizky Media Design Program, Institut Seni Indonesia Yogyakarta, Bantul, Indonesia
Gagas Nir Galing Media Design Program, Institut Seni Indonesia Yogyakarta, Bantul, Indonesia
Hanifiana Kartikasari Media Design Program, Institut Seni Indonesia Yogyakarta, Bantul, Indonesia

DOI:

https://doi.org/10.21834/e-bpj.v10iSI39.7680

Keywords:

Simplification, Gestalt, wayang kulit, pandawa, character design

Abstract

This research revitalises wayang kulit, Indonesia’s shadow puppetry, by visually simplifying the Pandawa characters in the Yogyakarta style. The traditional visual styles are often too complex for younger audiences. Gestalt principles (closure, figure-ground, proximity, similarity, continuity, and common fate) are applied to enhance visual clarity while preserving cultural meaning. Using practice-based, qualitative research, the study involves observing original wayang, conducting visual explorations, and integrating Jung's archetypes to strengthen character identity. Key visual elements are retained to ensure the characters' recognisability. This simplification strategy offers a modern design approach with potential applications in various media, making wayang more accessible today.

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