Ecological Critique through Ritual and Community Art: Ecofeminist Perspective in ‘Memory of Nature’ by Arahmaiani

Authors

  • Arinta Agustina Faculty of Visual Arts and Design, Institut Seni Indonesia Yogyakarta, Yogyakarta, Indonesia
  • Rr Vegasari Adya Ratna Faculty of Visual Arts and Design, Institut Seni Indonesia Yogyakarta, Yogyakarta, Indonesia
  • Yasin Surya Wijaya Faculty of Visual Arts and Design, Institut Seni Indonesia Yogyakarta, Yogyakarta, Indonesia
  • Ainun Majid Faculty of Languages and Arts, Universitas Negeri Surabaya, Surabaya, Indonesia

DOI:

https://doi.org/10.21834/e-bpj.v10iSI39.7682

Keywords:

Ecological-criticism, installation-art, ecofeminism

Abstract

The role of female artists in voicing ecological issues is crucial. This study aims to analyze how "Memory of Nature" articulates ecological critique through the body, ritual, and community collaboration. This study uses a descriptive qualitative method with a case study approach to deeply examine the communities and places involved in this work. The results show that Arahmaiani's "Memory of Nature" is not only symbolic but also operative in building collective ecological awareness. Arahmaiani's work not only highlights the unfair relationship between humans and nature but also emphasizes the role of women as guardians of ecological cycles.

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Published

2025-12-06

How to Cite

Arinta Agustina, Rr Vegasari Adya Ratna, Wijaya, Y. S., & Majid, A. (2025). Ecological Critique through Ritual and Community Art: Ecofeminist Perspective in ‘Memory of Nature’ by Arahmaiani. Environment-Behaviour Proceedings Journal, 10(SI39), 127–135. https://doi.org/10.21834/e-bpj.v10iSI39.7682