Art throughout the Industrial Revolution and Art Framework for the Industrial Revolution 4.0
DOI:
https://doi.org/10.21834/ebpj.v7iSI7.3776Keywords:
Art Framework, Industrial Revolution 4.0, Society 5.0Abstract
This review paper presents the scenario of the revolution in Malaysia. The industrial revolution has changed from Industrial Revolution 1.0 to Industrial Revolution 2.0, Industrial Revolution 3.0 and now its culmination of the Industrial Revolution 4.0. Several documents were reviewed to identify the dynamic framework of art within Industrial Revolution 4.0. With the art framework related is detailed with a component of the artist as co-creator, hybrid types of production and the attribute of a super bright society. Creative humans should refer to several key points to be more prepared, equipped and, realistic, coherent with society 5.0.
References
Hasnul (2008) Under-Deconstruction; Contemporary Art in Malaysia After 1990 in Timelines, Malaysia National Art Gallery, p. 228-279.
i-Suke The Star (2020) Karya Agung Leonardo da Vinci Dipamer Dalam Bentuk Digital, Balai Seni Negara Catat Sejarah Terima Kunjungan Luar Biasa ! , Available: https://www.mstar.com.my/xpose/isuke/2019/08/01/pameran-mona-lisa Retrieved 22 September 2020 Hakcipta Terpelihara © 2020. Star Media Group Berhad (10894D).
Mayumi Fukuyama (2018) Society 5.0 Aiming for A New Human-Centered Society, Japan, SPORTLIGHT. July/August, p. 47-50
Mazlan Othman (2019) Trusting Malaysian Creatives into the Future in SENIKINI#26 Edisi Khas 10 Tahun Arthopea, Kuala Lumpur: National Art Gallery.
Mohamed Najib Ahmad Dawa (Chief Ed.) (2008). Timelines; Malaysian Art With 50 Years National Art Gallery, Malaysia: National Art Gallery.
Mohamed Najib Ahmad Dawa (Ed.) (2019) SENIKINI#27 Artnomics, Kuala Lumpur: National Art Gallery.
New Strait Times June 6, 2020 Getting Creative Industry back on its feet, Available: https://www.nst.com.my/news/nation/2020/06/598367/getting-creative-industry-back-its-feet Retrieved September 15, 2020
Ramlan Abdullah (2018) The Transformation of Art Towards Industrial Revolution; A Case Study The Construction of Langkawi Sundial From Idea, Fabrication and Installation. Proceedings Second International Symposium Art, Craft and Design in Southeast Asia 2018 ARCADESA#2 (Facing The Challenges of 4th Industrial Revolution) Malaysia: National Art Gallery & faculty of Art & Design, UiTM. p. 32-33
Suhana Nordin & Mumtaz Mokhtar (2015). Discussion: Diversity in Malaysia, New Media Art. International Journal of Business and Administrative Studies I (3), 94-98. DOI: https://dx.doi.org/10.20469/ijbas.10003-3
Toffler, A. (1991). Power Shift. United States of America: Bantam books Group, Inc.
Veerawat Sirivesmas (2018) The Shifting Paradigm, Beyond the Disruption of Design Crafts in Thailand, From the Perspective of Jewellery Design Instructor. Proceedings Second International Symposium Art, Craft and Design in Southeast Asia 2018 ARCADESA#2 (Facing The Challenges of 4th Industrial Revolution) Malaysia: National Art Gallery & faculty of Art & Design, UiTM. p. 20-25
Yasraf Amir Piliang (2018). Co-Creation as A Basis of Creative Industry in The Era of Industrial Revolution 4.0, Proceedings Second International Symposium Art, Craft and Design in Southeast Asia 2018 ARCADESA#2 (Facing The Challenges of 4th Industrial Revolution) Malaysia: National Art Gallery & faculty of Art & Design, UiTM. p. 11-19
Yuko Harayama (2017) Society 5.0: Aiming for A New Human-centered Society; Japan’s Science and Technology Policies for Addressing Global Social Challenges. The Economist Newspaper Limited 2017
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Mumtaz Mokhtar, Samiati Andriana WMD, Rosliza Abd Rahim
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
