Visualizing Kelingkan Embroidery through the of Malays Styles and Motives

Authors

  • Rose Dahlina Rusli College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, Malaysia
  • Norwani Mohd Nawawi College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, Malaysia
  • Verly Veto Vermol College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, Malaysia

DOI:

https://doi.org/10.21834/ebpj.v7iSI7.3802

Keywords:

Embroidery, Malay Costumes, Styles, Motives

Abstract

It was reported that in 2002, at least five kelingkan embroiderers were still practicing their craft in the East Malaysian state of Sarawak, and lesser of them were still active in West Malaysia. This situation may cause stagnation in the development of this type of embroidery making, particularly in Malaysia. It may even lead to this art form becoming obsolete in the future. In fact, in the present day, the demand for kelingkan in the market is high. Malaysian fashion designers have also become responsive to the beauty of traditional embroidery to elevate them to the same sphere as exclusive international embellishments.

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Published

2022-08-31

How to Cite

Rusli, R. D., Mohd Nawawi, N., & Vermol, V. V. (2022). Visualizing Kelingkan Embroidery through the of Malays Styles and Motives. Environment-Behaviour Proceedings Journal, 7(SI7), 351–360. https://doi.org/10.21834/ebpj.v7iSI7.3802

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