Ceramic Raku Practice through the Context of Islamic Art Practice in Malaysia

Khairul Nizan Mohd Aris; Verly Veto Vermol; Zuraidy Abdul Rahin; Intan Nor Firdaus Muhammad Fuad

doi:10.21834/ebpj.v7iSI9.4292

Authors

Khairul Nizan Mohd Aris College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, Selangor, Malaysia
Verly Veto Vermol College of Creative Arts, Universiti Teknologi MARA Perak Branch, 32610 Seri Iskandar, Selangor, Malaysia
Zuraidy Abdul Rahin College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, Selangor, Malaysia
Intan Nor Firdaus Muhammad Fuad College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, Selangor, Malaysia

DOI:

https://doi.org/10.21834/ebpj.v7iSI9.4292

Keywords:

Raku, Practice;, Islamic Art, Ceramic

Abstract

In contemporary Malaysian art, the concept of authenticity has faced a dilemma, which emerges from ambivalence in the Malay/Muslim community in their belief towards the issues of representation in Islamic art practice. This research will attempt to answer the questions raised in addressing the dilemma of ceramic Raku; a traditional Japanese Ceramic firing practice through the context of Islamic art practice in Malaysia observed as contemporary Malaysia art.

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