Calligraphy Curation Pedagogy for Children’s Aesthetic Development: A narrative review

Authors

  • Xi Chen Faculty of Education, Universiti Teknologi MARA, 42300, Puncak Alam, Selangor, Malaysia
  • Siti Zuraida Maaruf Department of Art and Design Education, Faculty of Education, Universiti Teknologi MARA, UiTM Puncak Alam Campus, 42300 Puncak Alam, Selangor, Malaysia
  • Akmal Ahamed Kamal2 Ahamed Kamal Department of Art and Design Education, Faculty of Education, Universiti Teknologi MARA, UiTM Puncak Alam Campus, 42300 Puncak Alam, Selangor, Malaysia

DOI:

https://doi.org/10.21834/e-bpj.v10i34.7377

Abstract

This review aims to respond to UNESCO’s call to embed intangible cultural heritage in schooling, examining how a curation-inspired pedagogy can cultivate Chinese children’s aesthetic literacy through calligraphy practice. A narrative review of relational aesthetics, policy documents, and artist-led fieldwork (e.g., community projects by artist Qiu Zhijie) identifies three core pedagogical moves: place-based embodiment, techno-cultural mediation, and participatory exhibition design. These moves enhance students’ aesthetic sensitivity, cultural awareness, and civic engagement. A practical framework and assessment rubric are proposed to guide educators, bridging traditional calligraphy instruction with culturally responsive practice. 

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Published

2025-11-15

How to Cite

Chen, X., Maaruf, S. Z., & Ahamed Kamal, A. A. K. (2025). Calligraphy Curation Pedagogy for Children’s Aesthetic Development: A narrative review. Environment-Behaviour Proceedings Journal, 10(34), 3–8. https://doi.org/10.21834/e-bpj.v10i34.7377

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