Subjectivity and Objectivity in Art Axiological

Authors

  • Wan Samiati Andriana Wan Mohamad Daud College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, Selangor, Malaysia
  • Zuriati Mohamad Shaari College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, Selangor, Malaysia
  • Nik Syahida Sabri College of Creative Arts, Universiti Teknologi MARA, 40450 Shah Alam, Selangor, Malaysia
  • Yulriawan Dafri M.Hum Faculty of Visual Arts, Indonesia Institute of the Arts, Yogyakarta, Indonesia

DOI:

https://doi.org/10.21834/e-bpj.v9iSI23.6155

Keywords:

Art, Axiology , Objectivity , Subjectivity

Abstract

This article explores the dynamic interplay between subjectivity and objectivity in art axiology, highlighting the challenges of evaluating art today. It examines the importance of balancing these dimensions to comprehensively understand art's value and meaning. Through case studies and examples, it discusses how contemporary artists and critics navigate this duality using digital media and interactive technologies while considering formal elements, historical context, and cultural significance. The article addresses ethical considerations, such as cultural appropriation and inclusivity, and concludes that balancing subjectivity and objectivity enhances our appreciation of art's personal and cultural dimensions.

References

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Published

2024-10-31

How to Cite

Wan Mohamad Daud, W. S. A., Mohamad Shaari, Z., Sabri, N. S., & M.Hum, Y. D. (2024). Subjectivity and Objectivity in Art Axiological. Environment-Behaviour Proceedings Journal, 9(SI23), 71–75. https://doi.org/10.21834/e-bpj.v9iSI23.6155

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