Socio-Cultural Dynamics of Contemporary Mural Art in China and Malaysia

Meng Zhu; Mohd Zahuri Khairani

doi:10.21834/e-bpj.v10iSI36.7560

Authors

Meng Zhu Faculty of Art, Sustainability and Creative Industry, University Pendidikan Sultan Idris, 35900 Tanjong Malim, Perak, Malaysia
Mohd Zahuri Khairani Faculty of Art, Sustainability and Creative Industry, University Pendidikan Sultan Idris, 35900 Tanjong Malim, Perak, Malaysia

DOI:

https://doi.org/10.21834/e-bpj.v10iSI36.7560

Keywords:

Public Art, Cultural Identity, Visual Culture, Urban Development

Abstract

This study examines the reconceptualization of contemporary mural art in China and Malaysia since the 1980s. Through analyzing specific artworks and artists, it investigates how shifting socio-cultural dynamics reshape mural art's forms and functions in both countries, the findings reveal distinct patterns of cultural adaptation and artistic innovation, influenced by forces of globalization and local traditions, which demonstrates complex interactions, influenced by forces of globalization and local traditions. The comparative analysis demonstrates how mural art reflects broader cultural politics while contributing to urban development and community engagement, offering insights into public art's evolving role in contemporary Asian societies.

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